Showing posts with label weird. Show all posts
Showing posts with label weird. Show all posts

Thursday, 15 May 2014

Django Django

After another lengthy break (sorry!), I'm going to cover a relatively new band for a change.

I heard Django Django's single Hail Bop on Radio 6 Music last year and immediately wanted to check out their album because it sounded like exactly my kind of thing. And if atmospheric, slow build-up indie with electronic influences is our mutual bag, I'd definitely advise you do the same.

Their self-titled debut is a chilled out, psychedelic roam through the desert, reminiscent of some of my favourite bands growing up. Their harmonies are a bit Beach Boys at times, which was my prevailing impression at first listen, especially in the track Firewater. Their drummer is actually the younger brother of The Beta Band keyboardist John Maclean, which makes a lot of sense if you're a fan of theirs. A lot of parallels are there to be drawn. The sound effects sampled in Zumm Zumm spring to mind for instance.

A very summery album, the robot beats keep it bouncing along nicely and it's really accessible. I loved it from first listen rather than it being a grower, despite the complexities apparent in DD's song writing and playing. You'll also most likely recognise their song WOR from the BT Sport advert.

I'm sure these Mercury nominees have a pretty hefty fan base already, but if you haven't heard them you should think about looking them up, I've become pretty fond of them since first discovering this album and I think most people would enjoy it.



Saturday, 17 August 2013

Haunted

Chuck Palahniuk is best known for his novel Fight Club, which became the incredibly successful cult movie directed by David Fincher. Fight Club is probably the novel I enjoyed least by Palahniuk however - perhaps because I was already such a big fan of the film and it therefore seemed to hold nothing new for me (I had the same problem with King's The Green Mile when I finally read it last year).  Haunted was the first book of his that I read, and it's a strange one that's for sure. Nevertheless it secured my appreciation for Palahniuk's work and I have subsequently worked my way through most of his bibliography.

Part of what makes Haunted so engaging is its unusual format: a series of short stories embedded into the main plot and authored by the main characters. The over-arching plot centres on a group of writers attempting to 'find' their masterpiece by taking part in a retreat based on the visit made by Lord Byron and Mary Shelley amongst others to the Villa Diotati in 1816 (this is where Shelley came up with the idea for Frankenstein).  The characters are known only by nicknames which are explained in the short stories making up every other chapter and providing autobiographical information in flash-back form.

When the writers are unexpectedly trapped in the abandoned theatre they have chosen as their hermitage, in true dark and surreal style from Palahniuk they do not behave as expected. Each writer more desperate for fame than anything else, they endeavour to make their situation worse in the knowledge that a harrowing, near-death experience will give their story importance and mystery when they are inevitably rescued. Cue wastage of the dwindling food supplies, self-mutilation and plots to sabotage the other residents (each character reasoning that the fewer survivors, the better their story).

As is always the case with Palahniuk's writing, both the mini back stories and the events which transpire within the framing narrative are often gruesome, graphic and shocking. Be prepared for necrophilia, cannibalism, suicide and much more as the tale unfolds. The writer's - clearly - odd imagination births a series of disturbing scenes which create a satirical view of modern life and the pursuit of fame and integrity. This is a mood which runs through all of Chuck Palahniuk's work (I would recommend Choke and Lullaby as two more of my favourites as well).

The macabre and almost nightmarish feel of this cult writer's work, along with the cynicism of his narrators and post-modern writing style, really emphasises his message about people's ability to distance themselves from the horrors of modern life. He paints a shallow, vindictive picture of society - almost comical in its cruelty - which, although entertaining and thought provoking, could definitely get you down if you read too much at once.

Monday, 13 May 2013

The Dresden Dolls

I absolutely effing love the Dresden Dolls.  They are sublime.

Amanda Palmer's wailing vocals and off-key piano playing may not be for everyone but to me they embody everything I love about 'weird' music.  Weird means different, means like nothing you've heard before.  It means original and unique, and that's what I look for in a band.

Their début album - my favourite - ranges from the manic silliness of Girl Anachronism and Coin-Operated Boy to the sad, soulful vulnerability of Half Jack, with Palmer's fun and poetic lyrics often touching on something deep, dark and disturbing - like in the troubling Slide.

Brian Viglione's drumming is punchy and imaginative, keeping the songs strong and surprising. The two elements of the band work together perfectly and it's a testament to their genius that they can achieve so complete a sound without guitar or bass players.

Dresden Dolls' mix of cabaret, twisted classical crescendo and punk makes for fresh and beautiful listening.  Their self-titled first album is one of those records that comprises brilliant songs but also comes together as a whole to create a work of art; a sepia-toned, Plath-inspired, pain-tinged, musically accomplished masterpiece that never fails to touch and engage me.

I know a lot of people won't like this album - it's definitely a grower - but I think it's awesome and everyone should give them a listen.

This is a song from their second album, which is creeping ever closer to the first's top spot the more I listen to it, as it has some wonderful songs on it.  Delilah has been a favourite for a while.