The Cherry Poppin' Daddies

To be honest, the band name may be enough in itself to lure you in - I know it was for me.

The Cherry Poppin' Daddies are a versatile bunch; I think it would be fair to say that they mainly stick to the ska genre, but that isn't really my bag. If it is yours however, then by all means check out their recent compilation, Skaboy JFK. Even for someone not that keen on ska, there are some very good songs on there - Hi and Lo is pretty catchy.
 
The Daddies have a useful habit of combining all of their songs which are of a similar style on compilations. The one which I listen to a ridiculous amount is Zoot Suit Riot, which contains most of their swing inspired tunes. And it is fantastic: Steve Perry's swarthy, jaunty voice, combined with high octane drums and about as much brass as you could possibly handle, make for maybe the most fun album I've reviewed here.

This album is musically accomplished but makes it look oh so easy, combining a classic style of crooning with some casual cursing, adult content and often comical lyrics. They just have it all!

Their more recent album, Susquehanna is also excellent, often channeling a more 'flamenco' vibe with a lot of Spanish guitar and frantic beats. Roseanne is a long-standing favourite of mine, filled with passion and emotion and beautiful lyrics, showing yet another string to this group's (if anything, too stringy) bow. The Mongoose and the Snake is another brilliant track on that album, but I can't just sit here listing all of the brilliant songs the Cherry Poppin' Daddies have penned - that would make for a very long and boring article and a tired Spodle.

... well, just one more: the first song I actually heard by CPD was Irish Whiskey which appears on two of their albums, which has much more of a classic rock feel to it, though with some ska elements (depending on which version you listen to - I prefer the Soul Caddy one) and the dizzying momentum and string accompaniment associated with the American Irish tradition of Flogging Molly and Dropkick Murphys. If you like those bands, I imagine you would like the Cherry Poppin' Daddies - it would be difficult not to find something you like amongst their plethora of different albums and styles.

Gomez

These aren't so obscure, particularly not to me. I was brought up listening to Gomez alongside such greats as Van Morrison and The Eagles; to me they're a classic and therefore it seems like they should be to everyone else.

Gomez are pretty successful, more so in America I believe (a song of theirs features in the movie American Beauty) - but quite a few people aren't aware of their music and  this is a sin, which I am here to rectify.

I'd say their best albums are Liquid Skin and Bring It On, the latter of which contains perhaps their most famous song, Whippin' Piccadilly. They're a British Indie band whose use of electric mixing and sounds mingle with jazz influences to create a unique style, funky and bluesy but also modern.

Ben Ottewell's voice is fantastic; powerful and gravelly - and the variety of voices and instruments they employ along with their imaginative, if occasionally nonsensical lyrics ("open hearted surgery never works" ... except it does, doesn't it lads?), are a joy to listen to. From the soulful sensuality of Rosalita (Liquid Skin) to the bouncy energy of Detroit Swing 66 (In Our Gun) and Get Myself Arrested's pure coolness (Bring It On), Gomez are consistently wonderful.

Check them and their entire back catalogue out, you won't regret it.

Darlings of the Splitscreen

For my first music related post I thought I'd go uber-obscure with a band whom nobody (save the person who introduced me to them years ago - and I suspect he may have known them personally since they are from Sheffield) seems to have heard of: Darlings of the Splitscreen. I used to listen to them constantly despite their limited back catalogue and still go back to them regularly. 

They spout a brand of funky electro-pop with more energy than much else out there at the moment - with fun and clever lyrics epitomised in the track In/Out and computer based robotic riffs like that of Juxtaposed, they offer a low-budget, up-tempo bubblegum style that I feel is lacking in pop music.

I am espousing their merits now as there seems to have been a bit of a dearth in their material in the past few years and I fear that their already negligible fame will slide into nothingness pretty soon. And I feel they're talented enough to deserve a bit of exposure.

The best place to hear most of their songs is on their myspace page: http://www.myspace.com/darlingsofthesplitscreen/
and their EP This Is How We Roll is available on iTunes.
They also have at least one music video on YouTube.

So go and check them out, I hope you enjoy. Here's the only song of theirs I could find on SoundCloud; the WTF Panda Club remix of one of my favourite DOTS song, Hiroshima:


https://soundcloud.com/massnerder/darlings-of-the-splitscreen-hiroshima-wtf-panda-club-remix